MONS Athletics
App

Your hands know more

Squeeze one hand into a fist, as hard as you can, and hold it. Your forearm goes hard. Then your upper arm, then your shoulder. Your jaw tightens and your breath stops.

Now open the hand and let it hang. Your shoulder drops, and your breath comes back.

You did not tell your shoulder or your jaw to do any of that. Your hand did. Whatever your hands do, the rest of your body does too.

01

Your hands are wired into everything.

Few parts of you carry as many nerves as your hands. A fingertip has an estimated 241 touch-sensing nerve fibres in every square centimetre, four times as many as your palm. And a big share of the strips of brain that feel and move your body is given over to your hands. The surgeon Wilder Penfield mapped which part of the brain serves which part of the body. Drawn as a little man, that map has huge hands, out of all proportion to the rest of him.

That wiring runs both ways. Your hands feel the world, and they set the tone for the body behind them. In a classic test, people stood heel to toe with their eyes closed, and swayed. Then each rested one fingertip on a bar beside them, so lightly it could not hold them up. They steadied as much as when they leaned on the bar. One fingertip, and the whole body settled.

So your hands are not just the end of your arms. They are one of the main controls of your body, as your head is. You can use them in three ways.

A drawing of a slice through the strip of brain that feels the body, with each body part drawn beside the patch that serves it. The hand and fingers take up as much of the strip as the whole leg, hip, trunk and arm together, and the hand is drawn huge beside it, along with large lips and tongue.
The body as the brain maps it. From OpenStax College, Anatomy and Physiology, CC BY 3.0, via Wikimedia Commons.

02

Loose hands, loose body.

Watch runners late in a long race. Fists clenched, shoulders up by their ears, stride short and stiff. The tension shows in the hands, and it spreads.

Easy work wants the opposite. On an easy run, let your hands go loose, fingers lightly curled, as if you held a crisp you did not want to break. On an easy ride, hold the bars as lightly as the road allows, and let your trunk, not your hands, carry your upper body. That is how you stay comfortable on the bike for hours. Loose hands tell the rest of you that there is nothing to brace for.

03

Squeeze when you need tension.

Some work is about holding tension. A heavy goblet squat, with the bell held at your chest. A walk with a heavy bell held straight overhead. A climb on the bike so steep that even your easiest gear is hard work. Here, squeeze hard.

When researchers asked 12 trained men to straighten their knee as hard as they could, they pushed about 15 percent harder when they also gripped hard, clenched their jaw and held their breath. A hard grip spreads tension up your arm and into your shoulder, so the force you make has something firm to push from. Keep the grip, and instead of holding your breath, brace your trunk and keep breathing behind it.

Fast work is different. Watch an elite sprinter. The arms drive hard, but the face is loose and the hands are open, and every stride is as hard as a body can work. Speed needs muscles that switch on and off in a flash, and tension you do not need gets in the way. In a kettlebell swing, your hands are hooks. They hold the handle firmly and never pull; the hips do the work. Squeeze for tension, and stay loose for speed.

A sprinter in a maroon Qatar vest drives down the track straight towards the camera, mid-stride in a 100 metres race. His arms pump hard, but his hands stay loose, one open and one lightly curled, never clenched.
Ibrahim Mousa Adam of Qatar wins the 100 metres at the GCC championships in Doha, 2013. Photo: Vinod Divakaran, Doha Stadium Plus, CC BY 2.0, via Flickr.

04

Your body follows your hands.

Your hands also decide where the rest of you goes. As you run, each arm swings forward with the opposite leg and cancels the twist that leg puts through your body. When runners ran with their arms held still, it cost them 3 to 13 percent more energy, and their shoulders and hips twisted to make up for it.

So when a movement feels wrong, start with your hands. If you overstride, landing with your foot far out in front of you, look at your hands. Often they have drifted forward too. Bring them back so they swing past your hips, and your feet tend to come back under you.

In the water, your hands are how you feel your way forward. As each hand enters and starts to pull, feel for the pressure of the water against your palm and forearm. That pressure is the catch, and the front scull drill teaches you to find it. Good swimmers hunt for it on every stroke. Lose it, and your hand slips through the water without moving you.

Your hand is also the first part of you to arrive. Put it in straight ahead of your own shoulder, not across the middle of your body, and the rest of you follows it in a long, straight line. That is where room for your stroke begins.

An underwater view of a swimmer doing front crawl in a pool beside a lane rope. One arm reaches straight forward from his shoulder, the hand flat and the fingers together, just starting to press back on the water.
Swimmer Antony Hickey training freestyle, 2009. Photo: Sandy Chase, CC BY 2.0, via Flickr.

05

Try this.

On your next easy run, clench both fists for one minute. Notice your shoulders and your breathing. Then let your hands go loose, and feel what changes.

Then let your hands swing back until your thumbs brush your hips. Feel where your feet land now.

What this means for you

Your hands are wired into the control of your whole body. Relax them when the work is easy, and the rest of you relaxes. Squeeze when you need tension, and the rest of you firms up behind it. Stay loose when you need speed. When something feels off, start with your hands, and your body follows them back into line.

None of this happens by itself. Start paying attention to what your hands are doing. Like your feet, they are one end of a body that moves as one, and they control far more of it than their size suggests.